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KNOWING (PG-13 for disturbing images, some profanity)

A perpetually sullen single father (Nicolas Cage) discovers a sheet of numbers that he figures out to be encoded predictions of past disasters, 3 yet to come. After the first two, he's now faced with the end of the world as the third. The question is asked, can he save the world, or at least his son and friends?

Oh, it should be mentioned that Cage, whose father's a minister, has developed a serious distaste for the father and religion, both. The eventual outcome brings them to some kind of resolution.

Aside from the creepy plot with its apocalyptic predictions, and despite Cage's oh-so-dour portrayal and mumbling like water leaking from a faucet, there's enough suspense to hold a person, almost through its 2-hours plus. Thanks to director Alex Proyas the pace is swift, with the mood appropriately in fantasy mode even when supposed to be "real." The handling of the two children involved - esp Ben Mendelsohn as his son who hears whispers from - whom? - is worthy of praise.

But even Gustav Holtz's music from "The Planets" weaving eerily through is not enough to make up for a muddled script that is full of red herrings, asides, coincidences, and psychobabble, with silly dialog like Cage's glum musing, "How am I supposed to stop the end of the world?" running through it.

Another objectionable decision was the volume - I mean really UP - so that by film's end one feels he's been to a rock concert, front row. Not just the music, either - crashes, explosions, everything - ongoing, at ear-shattering level.

To appreciate the remarkable special effects (which dominate) and the ending with its surreal conclusion, one must absorb all that came before it as brilliant, supernatural material. I didn't, and I'm afraid the other few people in the audience didn't either.

C-

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